Show me what you value and I’ll tell you what you’re worth
By six o’clock in the evenings, I have finished the day’s work and so I put down my pen and turn on the wireless to hear what’s going on
Last evening I first tried the news on Radio Four. So now, let me ask you a question: to how many questions are you able to give the complete answer in a single word? Well, at least I managed one such answer last evening. The BBC correspondent, invited by the newsreader to contribute asked, “Are government cuts the cause of a great rise in the number of cases of syphilis?”
That was an easy one: NO
The next item was the news that the Maida Vale recording studios, used for the last eighty years, are to close in spite of the fact, as the newsreader told us, “They have been home to some of our greatest musicians such as David Bowie and The Beatles.”
Now surely no one of a charitable disposition would wish to say anything too severe about Bowie and the Beatles – as one might easily be tempted to say something very severe about Elton John or Arianna Grande, the singer of near-pornographic songs to great crowds, including many preteens. But Bowie and the Beatles are/were not among “our greatest musicians.” They are popular entertainers with a goodly amount of the sort of talent required in order to pursue that vocation. The fact that Bowie and The Beatles were described as among our greatest musicians tells us all we need to know about the musical and aesthetic competence of the BBC
After all, if that newsreader had wanted to mention some of the truly great musicians who have preformed at the Maida Vale studios, he might have mentioned Vaughan Williams or Myra Hess, one of the finest pianists ever: for Maida Vale was the home of the BBC Symphony Orchestra
I switched from the news to Radio Three , the alleged classical music channel. This was a mess described as “In Tune mixtape” which interspersed snippets of the sort of music I wouldn’t want to listen to anywhere or ever with acres of mindless promotional chat
There was nothing for it then but try Classic FM. At that time in the evening the station offers “uninterrupted, the big piece after 6pm” – presumably in the hope of winning back listeners who tired of hearing music chopped up into minute excerpts and punctuated by advertising jingles.
Here surely there were grounds for hope. We were promised Dvorak’s lovely New World Symphony. I pricked up my ears, as they say. But “the big piece after 6pm” turned out to be only the little piece after six, the truncated piece after six: for they played only the last movement.
What insane cultural vandalism! Like reading an Agatha Christie thriller – but only the last fifty pages. Whodunnit? It would be rather a case of Whodunnwot? Do we need to spell out to the people in charge of classical music provision on national radio that the symphony is one of the most sublime musical forms ever developed? The first movement sets the scene, as it were, and the succeeding movements develop this and bring it finally to resolution. Thus it is impossible to make sense of the final movement without our having heard what went before.
But then we should hardly expect even such elementary discernment from the sorts of folk who regard David Bowie and The Beatles as “some of our greatest musicians.”
I think in future when it gets to 6pm I’ll download old episodes of Strictly Come Dancing or Britain’s Got Talent.
Why do that? Because at least I know that those programmes are utter rubbish. So I won’t be disappointed because I was hoping for something better.